miércoles, 8. enero 2014
"Amor" ("Amour")

Lo más habitual al ver una película de Michael haneke es enfrentarse a un discurso sobre la violencia. El espectador se puede preguntar: "¿sentirse bien después de contemplar un acto violento es inmoral?". Aquí la excusa argumental es la de una pareja de octogenarios sacudida por la rápida degeneración de la salud de ella. El director bávaro pone todos los paños calientes (un amor de pareja de hace muchos años, las obligaciones de una palabra dada, la falta de ayuda por parte del entorno familiar, la debilidad de una persona mayor encargada de una tarea que supera sus capacidades) para que los estallidos agresivos sean tolerables.

No quiero parecer insensible ante el dolor íntimo que supone ver la pérdida de facultades de una persona amada, pero... ¿Hacían falta tantas escenas sobre la evolución de los cuidados? ¿Era necesario convertir a Isabelle Huppert en una secundaria desubicada? ¿Era imprescindible mostrar la decoración de interiores de otra casa francesa, con sus cuadros, su biblioteca y su piano? En suma: ¿se podría haber explicado lo mismo en menos de dos horas con la misma eficacia?

No tengo nada contra las películas de planos largos y de vocación reflexiva, ni creo que haya que pedirle a Michael Haneke un poco de frenesí. Pero ahora que el director ya tiene su Oscar, cabe preguntarse sobre el papel de "Amour" en el contexto de su obra. Y aunque hay que reconocer los méritos interpretativos de Jean-Louis Trintignant y Emmanuelle Riva, su historia es alargada. Quizá sea mejor recordar a Haneke como el autor de "Funny Games", "Caché" o "La cinta blanca".

* Caché

* La cinta blanca

... Comment

  

on 8/1/14 22:27, wilhelm peter añadió:

das weisse band hat mich damals umgehauen auch weil ich szenen meines lebens wiederfand hab den film hoch gelobt und empfohlen amour kenne ich noch nicht haneke ist in meinen augen einer aus der klitzekleinen schar europäischer alpha-künstler einer der etwas erkennt und es in kunst umsetzen kann da sind mängel (spoiler) nebensache der deutschsprachige film fault im kellerloch viel hochblamables selten lohnt sich was vor diesem hintergrund glänzt haneke noch mehr


  
on 9/1/14 0:35, wilhelm peter añadió:

message understood i hope


 
 9/1/14 20:23, Javi añadió:

I don't speak German

Sorry, I do not understand what you write in German. Everytime I use a German-Spanish on-line translator, I am puzzled with the result. In this particular case, I guess you say that "Das weisse Band" reflects some aspects of your early life.


  
on 9/1/14 21:05, wilhelm peter añadió:

i dont speak spanish so im already in trouble with google chrome translation means i understand yours its not that facts of das wesse band affected me it was the atmosphere i grew up in the same dont know whether you can imagine old nazis catholic church konservatism the post war atmosphere in the region near cologne cold cold souls there were three sentences my mother taught me you have to you may not look what people think of you i was treated like an animal or a robot very selfish people brutal souls inhumanity and haneke did a great job in catching the atmosphere in a way i could not stand it showing the viewer the seeds of hell and there is fery few artists with the great ability to translate what they understood into art in a way that people can understand affectively contemporary german film is mainly shit and haneke is very special now ive seen several film-descriptions of amor and im affected again in a similar way cause the woman i love and me could be seen in the two leading roles knocked out again give me some time to come down and ill comment this one


 
 9/1/14 22:53, Javi añadió:

message understood

Before watching "Amour", ask yourself: "am I really in the mood for watching this?". Sure, Haneke will knock you out again, but forms of art allow us to keep some distance about the deep feelings they suggest.

Do you live near Cologne yet?


 
 9/1/14 23:30, wilhelm peter añadió:

i know but at the moment im too sensitive at all so i cant i live in duisburg


 
 10/1/14 0:42, wilhelm peter añadió:

i could stand the man not the woman nor the dove

haneke and me have a common friend - ralph giordano and after das weisse band i told ralph to tell him that we are working on the same and after some months i got the agreement and ralph is the same ralph 90 michael 72 me 60

im in a deep substantial conflict with the one i love 28 not knowing whether she understands me at all that sucks me im blocked

the sense of my life versus my love shes not able to compromise too young to know

im torn


 
 10/1/14 20:01, Javi añadió:

You should relax

I don't know you and I'm not a specialist in heartaches, and I don't know if my words can help you. But I'll write some.

... So she loves you but she has a different perspective about TIME, right? Well, try to define your priorities. Are your expectations making you feel so bad that you can't enjoy your present situation?

Are you a writer or someone involved in literature?


 
 11/1/14 4:24, wilhelm peter añadió:

i offered her a face to face situation and i made her run away i was not able to cope with her illusions and she never wanted anything for real no tragedy nothing important im gonna live without her and she without me just fucked up


  
on 11/1/14 9:11, wilhelm peter añadió:

i appreciate the middle part of your posting very much I LOVE IT i cant stand the waiting situation anymore cause its just too long i cant understand that she expects me to invest a tremendous amount of time im extremely short of in something that might be not substancial at all and even that would not cause me any trouble if there was contact she doesnt even give me that so there is no connection only illusion no substance its hard to face that but im beginning to your question im am a writer who doesent write anymore getting older i prefer the touch of real life on stage me and my guitar not writing lots of pages but saying fewer words more conzentration changing the form but not the substance by the way i like our conversation very much...


 
 11/1/14 9:34, wilhelm peter añadió:

she kept me waiting but the longer the time the less i believe her i just takes to long ive been too patient already there i a time for everything and ours seems to be over i fear...


 
 11/1/14 20:12, Javi añadió:

You are facing it

Ok, if you can explain what has happened so precisely, then you're not blocked. That's a good starting point, so I encourage you to get rid of these poisonous feelings.

As a songwriter, do you play on stage? Is there any show of yours on the web?


 
 12/1/14 3:20, wilhelm peter añadió:

www.youtube.com this was our best day also the beginning of the end


 
 12/1/14 7:19, wilhelm peter añadió:

i appreciate the konversation with you very much cause theres a soul shining up and im very amused about the final questions bout my profession


 
 12/1/14 17:07, Javi añadió:

Songs

I've always thought that "You're Nobody 'Til Somebody Loves You" is a wonderful tune with lyrics as destructive as napalm.

I appreciate the Tom Waits' cover of "Somewhere". In fact, I listened to "Blue Valentine" álbum first, years before I watched the film "West Side Story".


 
 12/1/14 18:37, wilhelm peter añadió:

youre nobody till somebody loves you is true schizo phrenos it tears you apart and that was exactly what i felt there was the love of my life but she was a lie the night after proved that once more everytime we were out she went to someone else got her handy stolen nearly was raped and is now on tour with i dont know whom my tears at the end of somewhere were my good instinct there is no somewhere for two persons if there is one always looking for other chances tom waits is a friend of mine havnt seen him since a decade we had four days in paris blue valentine is his best album ive heared it with my love in the pub that i had opened to give her a stage since that night she wasnt there again but there is one thing bout tom i got a great piano man a temperated saxophone and am looking for a double bass on my way to paris and vegas without her an old fashioned cabaret the marlene dietrich vegas show one would say more songs than words but with a message also a hard rock band still solo with my guitar writing our magazine would be great but without her theres no sense for that im planning solo and i met gudrun the other night things are not that bad at all but im shot romeo is bleeding www.youtube.com


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